David Mitchell (author of Cloud Atlas) is tweeting a short story all this week - line by line. Fittingly, the narrator is a teenage boy high on Valium.
I read selections from my Intro to Philosophy textbook in the basement of my dorm in between loads of laundry, which I had to wring out over a drain in the floor before tossing them in the dryer. I remember rushing through my assigned chapters of Moby-Dick every Sunday night before class, when I would meet with three other students and a professor to discuss symbolism. And I remember my horror when I realized exactly how long “Song of Myself” was at two in the morning. But somehow that horror is gone now, and all that’s left is the quiet joy that came from spending so much time interacting with books I otherwise might never have opened.
Tuesday New Release Day
Our own Bill Morris has a new novel on shelves this week, which you can learn more about in his recent conversation with our own Edan Lepucki. Also out: A Man Called Ove by Fredrik Backman; Wayfaring Stranger by James Lee Burke; All I Love and Know by Judith Frank; Evergreen by Rebecca Rasmussen; The Hour of Lead by Bruce Holbert; The Spark and the Drive by Wayne Harrison; Owen’s Daughter by Jo-Ann Mapson; and Season to Taste by Natalie Young. Support The Millions: Bookmark this link and start there when you shop at Amazon.
"Designing a book cover is great because you can treat it as a piece of packaging, a mini poster, corporate identity, something to use illustration on, or photography, be purely typographical, figurative or conceptual with just the right amount of type to play around with, have complete ownership; and even if you mess up totally, nobody dies.”
Q: Does putting a series of covers together offer more or less challenges?
A: I think a series of covers is much easier. Turd Theory (one of The Twenty Irrefutable Theories of Cover Design, written by myself and Jon Gray) works on the idea that in a scary world of disorder and chaos people are programmed to seek out repetition and order. So even the worst cover in the world, repeated 20 times in different colours of the rainbow will get you an award or two.
As a teacher, and occasional perpetrator, of writing, I decided it would be fun to ask some of my favorite people how they deal with The Block. These bits of testimony will not work for all writers, but I believe a sense of the options (while remembering that one does not struggle alone) is of great practical value in staving off madness.
In other words, do try these solutions, alone or in combination. “Mix and match” is the cry.