I find it hard to understand why the technologically sophisticated is necessarily more visceral. The viscera are visceral, the old primitive gut: this pain, this pleasure, now. At the same time, I share Shields’s weariness with novels that, however elegant and intelligent, appear merely to be going through the motions, to be aimed above all at creating the package that will lead to prominence on the world stage, or at least commercial success (the two are almost the same thing). If there is a problem with the novel, and I’m agreed with Shields that there is, it is not because it doesn’t participate in modern technology, can’t talk about it or isn’t involved with it; I can download in seconds on my Kindle a novel made up entirely of emails or text messages. Perhaps the problem is rather a slow weakening of our sense of being inside a society with related and competing visions of the world to which we make our own urgent narrative contributions; this being replaced by the author who takes courses to learn how to create a product with universal appeal, something that can float in the world mix, rather than feed into the immediate experience of people in his own culture. Tim Park both agrees and argues with David Shields in “Writing Adrift in the World.” [Photo Credit]
View Separately

I find it hard to understand why the technologically sophisticated is necessarily more visceral. The viscera are visceral, the old primitive gut: this pain, this pleasure, now. At the same time, I share Shields’s weariness with novels that, however elegant and intelligent, appear merely to be going through the motions, to be aimed above all at creating the package that will lead to prominence on the world stage, or at least commercial success (the two are almost the same thing).

If there is a problem with the novel, and I’m agreed with Shields that there is, it is not because it doesn’t participate in modern technology, can’t talk about it or isn’t involved with it; I can download in seconds on my Kindle a novel made up entirely of emails or text messages. Perhaps the problem is rather a slow weakening of our sense of being inside a society with related and competing visions of the world to which we make our own urgent narrative contributions; this being replaced by the author who takes courses to learn how to create a product with universal appeal, something that can float in the world mix, rather than feed into the immediate experience of people in his own culture.

Tim Park both agrees and argues with David Shields in “Writing Adrift in the World.”

[Photo Credit]

Source: nybooks.com

21 Notes/ Hide

  1. alludingmisnomer reblogged this from millionsmillions
  2. angeloricci reblogged this from millionsmillions and added:
    Tim Park su David Shields (per Fame di realtà vedi qui)
  3. domaki reblogged this from millionsmillions
  4. wonderland100 reblogged this from millionsmillions
  5. This was featured in #Lit
  6. millionsmillions posted this