The fact that there is so much of Bach’s music, and so many recordings, means that you know from the start that you are never going to hear it all, even if you live to be 100. There’s always going to be a freshly rearranged cantata, or another new recording. So as a writer you know you have to cover all the important works and let other pieces fill themselves in.
Experiencing the Superabundance of Bach: The Millions Interviews Paul Elie by J. Greg Phelan

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