“The book’s cover does it a disservice; that slasher typography and dirty canvas-colored background cast an impression of a much more contemporary genre of horror. In truth, one of the gifts of Revenge is its subtle psychology. While there are multiple bloody amputations — including a gruesome beheading — a couple of phantoms, a whole museum full of tools designed specifically for torture, Ogawa’s ‘dark tales’ unfold, surprisingly, without overindulging on gore. Such restraint initially scans as a tidy elegance of form, but by the middle of the book becomes a skillful and sinister instrument of disquiet in its own right.” Our own Emily M. Keeler reviews Yoko Ogawa’s Revenge.
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“The book’s cover does it a disservice; that slasher typography and dirty canvas-colored background cast an impression of a much more contemporary genre of horror. In truth, one of the gifts of Revenge is its subtle psychology. While there are multiple bloody amputations — including a gruesome beheading — a couple of phantoms, a whole museum full of tools designed specifically for torture, Ogawa’s ‘dark tales’ unfold, surprisingly, without overindulging on gore. Such restraint initially scans as a tidy elegance of form, but by the middle of the book becomes a skillful and sinister instrument of disquiet in its own right.”

Our own Emily M. Keeler reviews Yoko Ogawa’s Revenge.