What better spokesman for the bloviating apostles of disruptive online education than a man who can say with a straight face: ‘I hope we are all ready to leave the phenomenal world and enter into the sublime?’
David Mitchell (author of Cloud Atlas) is tweeting a short story all this week - line by line. Fittingly, the narrator is a teenage boy high on Valium.
I read selections from my Intro to Philosophy textbook in the basement of my dorm in between loads of laundry, which I had to wring out over a drain in the floor before tossing them in the dryer. I remember rushing through my assigned chapters of Moby-Dick every Sunday night before class, when I would meet with three other students and a professor to discuss symbolism. And I remember my horror when I realized exactly how long “Song of Myself” was at two in the morning. But somehow that horror is gone now, and all that’s left is the quiet joy that came from spending so much time interacting with books I otherwise might never have opened.
"Designing a book cover is great because you can treat it as a piece of packaging, a mini poster, corporate identity, something to use illustration on, or photography, be purely typographical, figurative or conceptual with just the right amount of type to play around with, have complete ownership; and even if you mess up totally, nobody dies.”
Q: Does putting a series of covers together offer more or less challenges?
A: I think a series of covers is much easier. Turd Theory (one of The Twenty Irrefutable Theories of Cover Design, written by myself and Jon Gray) works on the idea that in a scary world of disorder and chaos people are programmed to seek out repetition and order. So even the worst cover in the world, repeated 20 times in different colours of the rainbow will get you an award or two.
July is the month of revolutions, so much so that in France’s upheaval even the month itself was swept away.