Sheila Heti: What do you enjoy reading on Twitter?
Christian Lorentzen: Because I follow so many accounts I think of it as watching a stream of garbage flow in order to see what colour the trash is today.
People think of compassion as, like, kindness. The image comes to mind of some nice New Age guy bending to something with a look on his face like he’s about to cry. And I don’t think that’s it.
"I always thought that the films people love the most are the films that are wise, that have simple lives, truths and ideas in them. All my favorite films growing up, like E.T., have that quality. Hollywood tends to dumb down things, and be incredibly formal and simplistic and paint-by-numbers. And I never thought that is what people actually liked. But why those big Hollywood films were so successful—why they make so much money, why they are so universal—is that they have big important issues and essential wisdom in them.”
- Beasts of the Southern Wild director Benh Zeitlin
The shadow falls along the shore
The search lights twinkle on the sea
The silence of a mighty fleet
Portends the tumult yet to be.
The tables of the evening meal
Are spread amid the great machines
And thus with pride the question runs
Among the sailors and marines
Breathes there the man who fears to die
For England, Home, & Wai-hai-wai.
If, as I believe, Mr. Tolkien has succeeded more completely than any previous writer in this genre in using the traditional properties of the Quest, the heroic journey, the Numinous Object, the conflict between Good and Evil while at the same time satisfying our sense of historical and social reality, it should be possible to show how he has succeeded. To begin with, no previous writer has, to my knowledge, created an imaginary world and a feigned history in such detail. By the time the reader has finished the trilogy, including the appendices to this last volume, he knows as much about Tolkien’s Middle Earth, its landscape, its fauna and flora, its peoples, their languages, their history, their cultural habits, as, outside his special field, he knows about the actual world.
Two animated adaptations of Russian masterpieces. The Master and Margarita (above) and a much longer, much darker adaptation of Crime and Punishment as well.