We know Ernest Hemingway could drink, but he also could make an excellent burger. At The Paris Review blog, Cheryl Lu-Lien Tan cooked up Papa’s famous patty. “The burger was delicious: each bit of it oozed a complex and textured umami, earthy and deep,” she writes. In other Hemingway news, Harper’s will publish a forgotten story, “My Life in the Bull Ring With Donald Ogden,” in its October issue, but only because Hemingway’s estate wouldn’t let Vanity Fair print it. The magazine rejected the story in 1924 and as his son put it, “I’m not a great fan of Vanity Fair. It’s a sort of luxury thinker’s magazine, for people who get their satisfaction out of driving a Jaguar instead of a Mini.”
How do you describe the life and times of John Horne Burns? He was in turn a military intelligence officer, a schoolteacher, a critical darling after he published The Gallery, a pariah after he published anything else, and a gay man in post-WWII America. In characteristic concision, Ernest Hemingway summed the whole thing up: “There was a fellow who wrote a fine book and then a stinking book about a prep school, and then he just blew himself up.”
At the bottom of this picture is a urinal Ernest Hemingway once took from Sloppy Joe’s bar. He did it in part to piss off his wife, but also because he had “pissed away” so much of his money into the urinal that he owned it.
George [Plimpton] recalls early offices of the magazine, angering Ernest Hemingway with brash interview questions, the many volunteers who flocked to the Review and gave a fledgling publication a boost. He writes of raucous Revels past: “The Revels were memorable affairs, with so much effort spent by staff members in entertaining the guests that very often the fund-raising aspects of the events were forgotten. The extravaganza on Welfare Island (although 750 people turned up) actually lost money—and primarily because a piano was left out in a glade and was ruined in a post-party rain squall.
There is a certain type of book, well-represented in 20th- and 21st-century American literature, that is about Men Handling Things. I can’t define the precise requirements of this genre, but I know that I’ve read this type of book many times over, by anyone from Fitzgerald and Hemingway to the Richards Yates and Ford. And let me be clear, I’ve just named four of my favorite authors. I’m not going to rant against Men Handling Things novels. I mean to say that there are a lot of them.
Pantone has rendered The Paris Review’s literary paint chips literal with their new line of color schemes drawn from the homes of great authors.