20 Under 40 alum and A Better Angel author Chris Adrian teamed up with Eli Horowitz to publish a digital novel with Atavist Books. The novel, titled The New World, employs new storytelling techniques made possible by Atavist software. It’s worth remembering here that the first book Atavist published was written by fellow 20-Under-40er Karen Russell.
Can’t wait for Haruki Murakami’s new novel? You’re in luck: Slate just published an exclusive excerpt from the book. Sample quote: “No matter how quiet and conformist a person’s life seems, there’s always a time in the past when they reached an impasse. A time when they went a little crazy. I guess people need that sort of stage in their lives.” (You could also read Ben Dooley’s review of 1Q84.)
If you’re like me, you probably assumed you’d never read the phrase “George Saunders in O, the Oprah Magazine”, but this is where his latest short story has turned up. In the story, the author imagines what he’d say to an alien who asks him what it’s like to be human. For more on his work, go read our own Elizabeth Minkel on his legacy and recent collection.
The music of the thirties and forties—swing, the rise of pure jazz, even honky-tonk—was glorious. We can’t wipe out Bing Crosby’s cloying croon, but the rise of Hank Williams, Sr., makes up for Bing. The creators of “Orange Is the New Black” knew what they were doing when they included “I Saw the Light.” It moves all listeners, regardless of belief or lack thereof. The joy and genius of Fats Waller, the growl of Big Joe Turner, the irresistible combination of Billie Holiday and Count Basie (and of Billie Holiday and Artie Shaw) are ornaments on a period of exceptional music, and diving into it was one of the great pleasures of my listening, and writing, life. These songs, these voices, and the great instrumentals still resonate with me, and that’s why each chapter title is a song from that period.
I would like to have been there.
“Sitting down to read The Actress, Amy Sohn’s newest novel, is even better than standing in line at the grocery store while the person in front of you disputes the price of a carton of orange juice, giving you extra time to read the tabloids. The Actress might be as licentious as a tabloid, but it is far more intelligently written. And, you probably won’t be reading it while standing in line inside a grocery store.”
Like the narrator of Norman Rush’s Mating, who was “overdetermined” for life in Africa, you could say that I — product of an evangelical Christian upbringing and Korean heritage of stoic endurance — was overdetermined for Lampedusa. His elevation of natural appetite as an ideal, and his vision for unity between body and spirit in their fullest expressions, radiate from the page. When I read Lampedusa the sun bursts up indeed, thawing all of that deeply seeded “puritanical horror,” as Warner puts it, and reconciling life forces that, as Lampedusa attempts to show us, were never meant to be opposed.