What happens when a literary fiction writer tackles YA? If that writer is Sherman Alexie, he produces an award-winning book that rivals the quality of his books in other genres. At the Ploughshares blog, Annie Cardi writes about writers who’ve made this transition, including Alexie, Roddy Doyle and Louise Erdrich. You could also read our survey of high school students on the best YA books of 2013.
Every night the sounds were different. Helplessly cognizant, I formed mental scenarios while drifting in and out of sleep. One memorable night, I tossed and turned in a metalworking shop. From the far end of the second-floor hallway came the powerful rip of my mother-in-law’s rough-cut saw. From below, on the living room’s foldout couches, the intermittent thrum of welders’ torches—a wild hissing as the sisters’ noses sparked and soldered invisible objects. Beside me, Elida’s finishing touch: the high-pitched burr of a polisher perfecting a metal surface. Elida was slight, and she dressed in precise, quiet colors. She sat with her hands folded, wore clear nail polish and almost undetectable makeup. You would never have imagined that such a stark little person could produce such sounds
Recommended Reading: Louise Erdrich’s new short story in The New Yorker, “The Big Cat,” which is about snoring among other things. Deborah Treisman also interviewed Erdrich about the story. “I like the idea that this story reads like a fairy tale, but there is no moral at all, unless it’s Beware of Snoring Cats. Nothing I write ever has a moral.”