David Bowie hasn’t performed live in seven years, but he has a good excuse — he’s been reading. His top 100 books are part of the “David Bowie Is” traveling exhibition (currently in Toronto.) The list reveals that he’s a big fan of American lit, including Michael Chabon’s Wonder Boys, Saul Bellow’s Herzog, James Baldwin’s The Fire Next Time, and more. He’s also an amateur rock historian, naming Charlie Gillete’s The Sound of the City: The Rise of Rock and Roll and Peter Guralnick’s Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom among others. When can we sign up for the class, Professor Bowie?
"I’ve always thought Yunior’s voice isn’t possible without hip-hop," Junot Díaz says. He discusses how hip-hop influenced his writing, his top three albums (Immortal Technique’s Revolutionary Vol. 2., Wu-Tang Clan’s Enter the Wu-Tang: 36 Chambers, and Big Daddy Kane’s Long Live the Kane), and even Miley Cyrus in an interview with Salon. Previously, we reported that he wrote his first book to the Conan the Barbarian soundtrack.
Nick Coleman, a long-time music journalist in the UK, was made aware of his body’s terrible capriciousness when one of his ears stopped working. It left a dull blankness for a while, and then a building cacophony of tinnitus in both ears so severe that balance and concentration became almost impossible. Burdened with what could have been a ruinous impediment, he reaffirms his love of music.
As we noted here recently about the rise and fall of Motown, the real issue was money — who earned it, who kept it, who never saw it. Now Barrett Strong, who co-wrote and sang the Detroit label’s first hit in 1959, “Money (That’s What I Want),” tells The New York Times that he never saw a penny of royalties for a song that became a classic and generated millions of dollars for the label. Strong’s story is the story of Motown boiled down to its bitter, ironic essence.
Continuing our trend of invoking Outkast’s musical stylings at least once per weekend, we now present to you Big Boi’s isolated vocals from “Bombs Over Baghdad.” (You can check out other isolated vocal tracks unrelated to Outkast over here, but we have to wonder why.)
Source: SoundCloud / IsolatedVocals
Maxwell’s is closing this week. The Hoboken rock institution has played a vital role in the city’s history for the past few decades, and it’s a cultural relic. The folks at New York Magazine put together an oral history of the place, and recently I wrote about how the venue was not only a product of — but also a victim to — the march of gentrification.
However one of the unsung heroes of the place — and something that I’ll truly miss — is its chicken pot pie, which I ate for the final time last night.