In addition to just wanting to spend a lot of time together, we had some questions we hoped this trip might answer, questions we hope to chew over here, in near-daily posts: What does the Great American Road trip look like in 2014? Is it true that the book tour is as good as dead, a waste of time? Is this about selling books or something less tangible? What will we see as we cut a line through the center of a recession-slammed America? Can we sit in a car together for 13,000 minutes and come out better buddies, or will one of us, probably somewhere in Utah, turn to the other and mutter, ‘I really really wish I could quit you’?
Reading War and Peace was always a challenge, but how much harder is it in an age of constant distraction? At Salon, Mike Harris, a self-confessed distraction addict, writes about his experience tackling the Russian classic. You could also read our own Kevin Hartnett on the book’s effect on perception.
Like characters in a somewhat less swashbuckling Jack London novel, these are all characters, and writers, who are grappling with their environments.
Junot Díaz has criticized MFA programs for being “too white.” So what’s on his syllabi? Salon found the syllabi for the two courses Díaz teaches at MIT. In his fantasy world-building class, students read everyone from Bram Stoker to Octavia Butler. His advanced fiction course includes stories by Edwidge Danticat and Roberto Bolaño. Where can we sign up?
America’s oldest LGBT bookstore, Giovanni’s Room, is closing on May 17. The Philadelphia staple is shutting its doors after four decades due to the owner’s retirement and financial problems. At Salon, Steve Berman remembers the store and discusses how its closure will affect the publishing and LGBT community. “So LGBT books are forced to the edges, to the shadows, despite claims of assimilation. Gay authors have to do more and more marketing to find readers. Gay publishers have to struggle with shrinking venues to showcase their titles.”
The essay is more popular than ever. At Salon, talks to Leslie Jamison (author of The Empathy Exams, here’s our review) and Roxane Gay (author of the forthcoming Bad Feminist) about the power of the genre. Gay believes our interest in essays is because of a “cultural preoccupation with the exposure of the self.” They also discuss if we’re in a golden age of women essayists. “Sometimes when men write about private feeling, it’s seen as exploratory or daring, and when women write about private feeling it’s seen as limited or in the vein of a kind of circumscribed emotional writing,” Jamison says.
Even Proust was funny. They were both quite funny. So if I take something from Flaubert, he’s not dead serious. He is always sort of laughing at people. I don’t know if he laughs at himself very much but he laughs at other people.
A couple weeks ago, Matt Ashby and Brendan Carroll argued in a Salon piece that David Foster Wallace, who wrote an essay about the television and irony back in the early ‘90s, presciently diagnosed the danger of snark in our own age. Now Peter Finocchiaro, a senior editor at Salon, argues instead that we need irony more than we ever have. You could also read A-J Aronstein’s notes from the DFW Symposium.