There are many flavors of noir, but the one that may be the most relevant to our lives today, Julia Ingalls argues, is corporate noir, which often takes the form of science fiction. At the LARB, she writes about several examples of the genre, including Alan Glynn’s Graveland and Natsuo Kirino’s Out.
“Cosmicomics is that rarity among progressive texts: its premises are absurd and almost incoherent, yet the plot lines are filled with romance, drama, and conflicts that draw the readers deeper and deeper into the text.”
Now that classic sci-fi mag Omni has risen from the Hades of publishing, editors are combing its massive archives in search of material to republish. Among that material, it turns out, are drawings of Dune homeworld Arrakis — drawings that happen to be endorsed by none other than Frank Herbert himself.
”[Paul] Scheerbart’s book bears the subtitle An Asteroid Novel, and all of its action takes place far from Earth. Not a single human character appears in the story; nor do its protagonists resemble the anthropomorphized aliens of so much science fiction. Rather, Scheerbart populates the asteroid Pallas with a race of newt-like creatures who are capable, when provoked, of expanding their bodies to several times their normal size. Moreover, the Pallasians have eyes that extend on stalks and function as telescopes or microscopes (the latter for reading micro-books: the Pallasians wear, as personal adornment, entire libraries around their necks).”
Teddy Roosevelt could read an entire book before breakfast. Kim Peek (Rain Man) could read two pages of text simultaneously. Perhaps by using some combination of both techniques, you’ve managed to make your way through our entire Great 2013 Book Preview. Or perhaps you’re just looking for some poetry and science fiction recommendations. Well, either way Mark Sanderson and China Miéville have you covered, respectively.
Happy Birthday, Frank Herbert
"The science fiction of the 1960s, with its narrative-busting experimentations is seen as being more daringly au courant and thus worthier of critical attention. Somewhere between the spacesuited squares like E.E. Doc Smith and countercultural innovators like Harlan Ellison, though, lies a golden seam that contains some of the century’s most thoughtful, jazzy, and dazzling literature.”