"The trouble is that monsters have a lineage too, and our monsters have changed. Errol Childress is a quaint monster, a monster of convenience, a camp monster, a monster in drag. Monster, as every English professor likes to remind us, comes from the same root as demonstrate: a monster is supposed to mean, to signify, to instruct. Errol Childress has nothing to teach us, and neither does True Detective in its fond hope that these old manly genres can keep operating in the exhausted currency of mutilated women, or its insistence that evil somehow proclaims itself."
We thought we had a better chance of seeing Odin than Neil Gaiman’s American Gods on TV, but after the HBO deal fell through, the novel is finally being adapted for the small screen by FremantleMedia. Bonus: Gaiman’s Anansi Boys is also being adapted into a BBC miniseries by RED. To brush up on Gaiman’s interest in mythology, read our review of The Ocean at the End of the Lane.
"There’s a special kind of desperation that unifies hardcore Sherlock fans, and you can see it in the speed at which memes turn silly — there are only so many times you can go over every scene of a six-episode run with even the finest-toothed comb. You talk yourself in circles; you build wild headcanons based on slivers of hints from the writers — two men who’ve stated outright that they often lie to throw people off the scent. This is all part of the fun — the miserable, miserable fun.”
— Elizabeth Minkel, “Fangirl”
"Sherlock sometimes feels like a similar mash-up, a layering of nearly 130 years of Holmes references carefully built by two of the world’s biggest fanboys, Moffat and Gatiss (it should be noted, too, that the episodes are peppered with homages to the history of film as well, though I’m more likely to spot an obscure Conan Doyle reference than literally anything at all from classic cinema). The longer episode length and the tendency toward sheer irreverence give Moffat and Gatiss space to prod at their characters, or, more often, to drag them through the fire. They’ve said it before, though they’ve never had to repeat it as vehemently as they have the past few weeks, that Sherlock is not a detective show, but rather a show about a detective.”