Does a writer make the city or does the city make the writer? At Grantland, Michael Weinreb discusses why Elmore Leonard is the ultimate Motor City writer and discovers Leonard’s Detroit. “Without his books, the city would still have suffered the same hellish decline. But because of him, that suffering was rendered into an art form all its own.” Pair with: Our own Bill Morris writing against Detroit’s ruin porn reputation.
This might not be the thing one wants to hear before embarking on a 1,500 page quest, but the trilogy is marked by a narrative desultoriness that applies to both its human and political dramas. The novels are in a some ways about widespread distraction and inaction in the face of an impending catastrophe.
Seventeen years ago I wrote a book, which you can find on Amazon and Google and elsewhere online. This is unusual only because my book was never published. It’s called “Goths,” fitting for a title that has left its traces on the Internet but does not exist. The traces themselves are ghostly. Other than the title, Amazon lists only the publisher (Random House Trade), language (English) and ISBNs (one with 10 digits, the other with 13). Google goes further by giving the publication date (March 1, 1998) and promising a cover image — but it turns out to be a placeholder. And unlike Amazon, Google neglects to mention that the book is a hardcover. Google admits, “We haven’t found any reviews in the usual places,” which in this case would be the planet Earth. “Be the first to review this item,” Amazon encourages, but has as yet found no takers.
Tumble me down, and I will sit/ Upon my ruines (smiling yet :)
A few years ago, when I first starting reading and writing about Dovlatov, I focused on the wickedly humorous side of Dovlatov’s deadpan. But a few years later, and a few more books into his body of work, I find myself more interested in that earnestness and regret — in Dovlatov the evolving man and artist, who crafted and, yes, honed a version of himself in his fiction that was just distorted enough to be true.
Sonya Chung, “Sergei Dovlatov: Gravity, Levity, and Love”
But I think, you know, sometimes, there’s a tendency — I think there’s a great temptation to sort of resist what it is you do naturally. And I think that in a way, because we all want to expand, we all want to grow, we all want to do as much as we can. But at the same time, I think we have to have some faith in what we can do, too. Because I think there’s a certain amount of value in what’s closest to you intuitively and what style and what, not so much material, but in terms of what vantage and what voice and what way of looking at the world is natural has some value as well.
Amy barely speaks in the trailer for Gone Girl, but she is present in almost every frame. The first look at David Fincher’s adaptation features a creepy cover of “She” and a harried Ben Affleck as he goes from bereaved husband to suspect. The film will be in theaters on October 3, but until then, read our conversation about Gillian Flynn.