Novelists, poets, and playwrights aren’t the only people who can call themselves writers. Don’t forget the oft begrudged screenwriters. The New York Times highlights 14 of this year’s best screenwriters, including Julie Deply and Seth Rogen, and asks them for writing advice and one original line of dialogue for some excellent short films. Our favorite short film is Robert Redford’s.
When I’m struggling with my own work, I’m often drawn to biographies of writers. Not only do I learn fun facts about prominent figures — Henry James suffered terribly from constipation, Kafka chewed every bite of food 32 times, Flannery O’Connor cared for a flock of around 40 peacocks, Montaigne never saw his wife with her clothes off, Balzac fortified himself with a paste made of unroasted coffee beans — I’m also reminded that there’s no single path for living a successful creative or personal life.
Move over Bella and Edward; Scarlett and Rhett were the original young adult power couple. At The New York Times, Claire Needell argues that Gone with the Wind is the epitome of the young adult novel. “The choice between two starkly different lovers (one gentlemanly, one roguish) appears, for the very young, to be a choice between two utterly distinct potential identities, two possible roads through life.”
When most baseball players retire, they manage other teams, but Derek Jeter will manage a publishing imprint. The shortstop will open a publishing company, Jeter Publishing, in a partnership with Simon & Schuster. He expects to publish middle-grade fiction, children’s picture books, adult nonfiction, and books for children learning how to read. The first title should hit shelves in 2014. Maybe this could have been a good backup career for The Art of Fielding’s Henry Skrimshander.
This week Margaret Atwood tweeted a photo of her and Alice Munro drinking champagne in a “secret lair.” There’s no denying it — technology has changed the way we tell stories. Atwood and 16 other writers, from Victor LaValle to Lee Child, discussed how technology influences their work in The New York Times. “There’s nothing worse for plots than cellphones. Once your characters have one, there’s no reason for them to get lost or stranded,” Rainbow Rowell said.
The crossword in question is a so-called “rebus” puzzle in which certain squares contain multiple letters or a symbol. But these are no ordinary theme answers. Finding the hidden squares could reveal the victim and location of the next murder, and thus after checking the local airport’s ETD’s and boarding an SST, which Shortz helpfully informs us is a bygone flier, the Otts set off to stop the mad puzzler.
Landlord, patron, gardener, traveler— Elizabeth Gilbert is so much more than a memoirist. Steve Almond profiles Gilbert for The New York Times and finds out about her return to fiction with her new novel, The Signature of All Things. Yet Gilbert doesn’t disparage her Eat, Pray, Love fame and readers, even if others do. “I want to say: ‘Go [expletive] yourself! You have no idea who the women are who read my books, and if I have to choose between them and you, I’m choosing them.’”
This is where the past and the future meet. This is after the pit bull attack, after my father left, and after my mother’s heart broke. This is after the bullies in the hallway, after the nigger jokes, after my brother told me what he’d done as we stood out on the street. This is after my father had six more children with four different women, which meant he had ten children total. This is after my mother stopped working for one White family who lived in a mansion on the beach and began working for another White family who lived in a large house on the bayou. This is after I’d earned two degrees, a crippling case of homesickness, and a lukewarm boyfriend at Stanford. This is before Ronald, before C. J. This is before Demond, before Rog. This is where my two stories come together. This is the summer of the year 2000. This is the last summer that I will spend with my brother. This is the heart. This is. Every day, this is.
Express your most powerful thought in the shortest sentence.
Do our brains determine how we write? Joyce Dyer explores the possibility that genre is influenced by how our brains are wired but wonders if that limits us. “The page may be forcing compromises that the brain, in such close relationship with the mind, must rightly refuse,” she writes.