What is creepypasta, and what does it have to do with the future of literature? According to this blog post on the Twitter Fiction Festival, it’s a type of short horror fiction which, because it’s posted exclusively on the Web, occupies a similar place to Twitter fiction in the ranks of new literary genres. If you want to learn more about Twitter fiction, you could read our own Elizabeth Minkel on the nascent art form.
Last week, we discussed how Teju Cole has mastered literary Twitter, and that was before we knew that he tweeted a 4,000-word essay on immigration. “A Piece of the Wall” is composed of 250 tweets written during a seven-hour period and starts with: “I hear the sound of faint bells in the distance. It is like a sound in a dream, or the jingling at the beginning of a Christmas song.”
Yesterday, our own Elizabeth Minkel pondered if Twitter fiction could be real art. She cited Teju Cole, a literary Twitter master, but what does he have to say about how Twitter affects his writing? “My memory is worse than it was a few years ago, but I hope that my ability to write a good sentence has improved,” he told The New York Times.
The #TwitterFiction Festival runs for four days, and while many (if not all?) of the participants appear to be pre-scheduled, that doesn’t preclude some spontaneity — and perhaps they’ve even got a few secret tricks planned. They’ve got a great and varied line-up on board, from Emma Straub to Alexander McCall-Smith, and they’ve been teasing at a variety of different approaches for weeks. Will they break any new ground? The surest way to tell is to watch your Twitter feed. All tweets may be archived forever in the Library of Congress, but if past Twitter fiction experiments are any indicator, the best way to feel a tweet’s full impact is to catch it just as your feed drops down and the notification pops up: “1 new Tweet.”
When did Twitter turn into a place of public shame, outrage, and apology? Alexander Chee examines the changing culture in an essay for Dame Magazine. “Oh, Internet, place of the ultimate writerly paradox, where things you write quickly for little or no money last forever.” Our own Mark O’Connell explored something similar in his New Yorker essay on the public humiliation of regrettable tweets.
“By words a man transmits his thoughts to another, by means of art he transmits his feelings.” Pairing Russian masters with tweets from the Sochi Olympics.
Looking for someone to whip your writing into shape? Then tweet the new Gordon Lish bot, a Twitter account which offers unvarnished critiques of your tweets and fictional sentences. (Related: Frank Kovarik on the editor’s relationship with Raymond Carver.)