Even though William Faulkner once described Hollywood as the “plastic asshole of the world,” he spent two decades writing screenplays there. At Garden & Gun, John Meroney examines Faulkner’s film career, including writing for Howard Hawks and having an affair with his secretary. Pair with: Our essay on Cormac McCarthy’s attempt at screenwriting.
All of Faulkner’s characters exist in the same county, so they probably ran into each other. What if there were a Real Housewives of Yoknapatawpha County? Nathan Pensky humorously imagines the feuds between As I Lay Dying’s Addie Bundren and the protagonist of “A Rose for Emily" among others at McSweeney’s.
"Why I picked up Light in August this year, I don’t know. It probably has as much to do with me being more mature than anything, but I was amazed by such a dark, stunning masterpiece of a novel. Set in Yoknapatawpha County in the 1930s, the novel is about race, sex, class, religion, and murder, told in a majestic, lyrical voice. This is the Faulkner readers rave about it, and I feel as if I have discovered it for the first time. I’d argue this is Faulkner’s best novel.”
From 1916 to 1925, the University of Mississippi paid William Faulkner for drawings he published in the school newspaper, Ole Miss. At Open Culture, you can see some of these drawings, which struck this writer as peculiarly un-Faulknerian. (Related: our own Nick Moran found recordings of Faulkner on the University of Virginia website.) (h/t The Paris Review)
A novelist’s work is often a strategy (I don’t mean the author need be aware of this) for dealing with some personal dilemma.
Recommended Viewing: a 1952 documentary about William Faulkner and his hometown.