Here are five children’s series you might have missed when you were younger … Each offers a thoroughly imagined world that’s immersive enough to make you feel like a kid again, with writing sharp and smart enough to satisfy a book-loving adult. If they’re unfamiliar, I envy you: how lucky you are to get to read them for the first time now.
"When we talk about The Fault in Our Stars, we go straight to the unspeakable sadness, out of all the emotions evoked, because we want to convey the incredible emotional resonance of the book. What we’re trying to say is: this book mattered deeply to me, I think it could matter deeply to you too.”
…with a few exceptions, the most successful and prominent contemporary YA writers are women. Furthermore, the cultural infrastructure supporting their books — from agents and editors to librarians, teachers and that formidable new force in the YA world, bloggers — is predominantly female. Some observers blame this state of affairs for the drop-off in boys’ reading habits as they reach their teens; it’s a system ill-suited to producing books that will interest boys, they argue. But if YA has indeed become a gynocracy, few ask why.
The answer, I believe, is prestige. YA is a prestige-free zone, or at least it has been for most of the decades of its existence as a self-identified genre.