Seventeen years ago I wrote a book, which you can find on Amazon and Google and elsewhere online. This is unusual only because my book was never published. It’s called “Goths,” fitting for a title that has left its traces on the Internet but does not exist. The traces themselves are ghostly. Other than the title, Amazon lists only the publisher (Random House Trade), language (English) and ISBNs (one with 10 digits, the other with 13). Google goes further by giving the publication date (March 1, 1998) and promising a cover image — but it turns out to be a placeholder. And unlike Amazon, Google neglects to mention that the book is a hardcover. Google admits, “We haven’t found any reviews in the usual places,” which in this case would be the planet Earth. “Be the first to review this item,” Amazon encourages, but has as yet found no takers.
Personally, I wish more fairy tales ended with rocket dudes claiming space rocks for America
You’ve seen these horrible Amazon reviews, but did you know that the site actually compiles a running list of its own funniest reviews as well?
Try to imagine Hemingway telling Fitzgerald, ‘My tailor flamed me on Amazon because I panned him on Yelp.’
“Just forty years ago, during the Watergate scandal, the Post was an economic and cultural force potent enough to help take down a sitting president, and now it has itself been taken down by a guy who less than twenty years ago was working out of his garage selling books on the Internet.” How will Jeff Bezos save the Washington Post?
In 2012, AmazonCrossing published more works of fiction and poetry in translation than any other press except for Dalkey Archive, and is the largest publisher of literature in translation so far this year.
Surely every person in the entire realm of fan fiction is tired of the monetization question by now. The simple answer is that it really, really isn’t about the money. But people keep on asking anyway: how can so much time and energy and a sheer dizzying number of words be spent on something for no financial compensation? It’s easy enough to say that the person who asks that question doesn’t understand the idea of fan fiction, or doesn’t fully grasp what it means to be a fan of something in general — but that feels dismissive and unhelpful. There is a disconnect here, though, and it’s one that’s tricky for me to articulate, between Amazon and Alloy and the fan fiction community, or between Tumblr and Yahoo and the people who look at 100,000 reblogs and can only see a missed opportunity for advertising.
"Kindle Worlds might seem like a vast step up for your average fanfic writer, the best of whom are paid in praise alone. If it didn’t feel like such a fundamental and remotely insulting misunderstanding of fan culture, if it didn’t feel like a prime chance for corporations to exploit rather than promote, I might even praise Amazon."
Will Kindle Worlds Commodify Fan Fiction? by Elizabeth Minkel