I sometimes wonder how the great writers of the past would handle the Twitter predicament. Would they ignore it or engage and go down the rabbit hole? Who are the really unlikely tweeters from literary history? Would Henry James, whose baroque sentences could never have been slimmed down into a hundred and forty characters, have disdained Twitter?
Twitter lets writers think in public, and it’s changing the way we write, Thomas Beller argues in The New Yorker.
Pantone has rendered The Paris Review’s literary paint chips literal with their new line of color schemes drawn from the homes of great authors.
I haven’t the least idea what such young ladies expect a man to do. But I really think that you had better not meddle with little American girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake.
Henry James, Daisy Miller