The IMPAC also tends to be interesting for the breadth of books it considers, and the 2014 shortlist is no exception, with each author hailing from a different country and four books in translation among the ten finalists. It is disappointing to see, however, that only two of the ten shortlisters are by women.
As of this morning, the 2014 IMPAC Dublin longlist is out, and the titles that made the final cut are an eclectic assortment. The Testament of Mary by Colm Tóibín (which we reviewed) made the cut, as did The Orphan Master’s Son by Adam Johnson (which won the Pulitzer earlier this year) and Bring Up the Bodies by Hilary Mantel (which won the Booker Prize).
Literary prizes are, of course, deeply arbitrary in many ways; such is the nature of keeping score in a creative field. Nonetheless, our prizewinners post is compiled in the same spirit that one might tally up Cy Young Awards and MVPs to determine if a baseball player should be considered for the Hall of Fame. These awards nudge an author towards the “canon” and help secure them places on literature class reading lists for decades to come.