The New York Public Library just acquired Tom Wolfe’s archives for $2.15 million. They include 190 boxes of drafts, outlines, and research for his articles and books as well as 10,000 letters from the likes of Hunter S. Thompson and Gay Talese. But the library missed the opportunity to get one of his famous white suits because as Wolfe said, “Those are the things I really can’t part with.” Here’s one of our favorite Wolfe essays, “Radical Chic: That Party at Lenny’s.”
A pretentious mix of booze, failed dreams and a terminal identity crisis; the inevitable result of too much inbreeding in a closed and ignorant culture
Colonel Swindal begins a quick climb. He ascends higher than he had ever flown with President Kennedy, high enough to see clearly the curvature of the earth, and for the first time it hits him.
In a letter to William Manchester, the author of The Death of a President, Swindal describes the moment: “As the sun set on the flight from Dallas, flying over the storm clouds at forty thousand feet and darkness coming on so fast because of our high speed toward the East, suddenly realizing that President Kennedy was dead I felt that the world had ended and it became a struggle to continue.”
From Chris Jones’ “The Flight from Dallas”
What happens when two magazine writers publish stories on the same topic within a month of each other? We get to read some of the best long-form journalism of the year. Both Esquire’s Chris Jones and The Washingtonian’s Garrett M. Graff wrote about what it was like to be on Air Force One after the Kennedy assassination. Jones’ “The Flight From Dallas" hits 7,600 words, but Graff’s "Angel is Airborne" totals 18,000. Save some time to read both because they’re equally gripping and uniquely told narratives.
“8. Don’t Use A Tape Recorder.
This is a sticking point for me. How do you accurately capture quotes without a recording device? Talese told the audience, “Don’t use a tape recorder, because then you have their exact words. You are a partner in the quotation. The quote is polished in your prose.” When prodded further, Talese said he would ask the questions again and again so that he could refine and get at what they really meant. The final quote, he told the audience, needs to be in your voice, with your tone, not the black and white words. Later in the conversation, Talese expanded on this by saying that he would include in his notes: “What they say, what he [Talese] says, and what they think.” His use of interior monologue was a tool Tom Wolfe complimented him on in his discussion of The New Journalism.”
Larissa Zimberoff, “The 10 Things I Learned From Gay Talese That Will Get Me a Job at The New York Times”
Nick Coleman, a long-time music journalist in the UK, was made aware of his body’s terrible capriciousness when one of his ears stopped working. It left a dull blankness for a while, and then a building cacophony of tinnitus in both ears so severe that balance and concentration became almost impossible. Burdened with what could have been a ruinous impediment, he reaffirms his love of music.
Making money on the web has much in common with book publishing, just with more cat photos.
Jeff Sharlet had a challenge for his creative nonfiction students at Dartmouth College. Sensing that journalism had become too “dull,” too mired in a “culture of professionalism” divided “between reporting and ‘storytelling,’” Sharlet asked his students who didn’t “know [any] better” to create a magazine of their own. The result, 40 Towns, embraces “the right conditions” of literary creation – immersion, journalism, regionalism and “a term of revision” – to present a “collection of documents, artifacts of real life” about the Upper Valley.