Is “literary” fiction just a product of clever marketing? Elizabeth Edmondson thinks it is. At The Guardian, she argues that classically literary authors like Jane Austen had no idea they were writing Literature — posterity classified their work as such later on. Her essay dovetails nicely with our own Edan Lepucki’s argument that literature is a genre.
Deborah Yanover, the owner of Bueno Aires’s Librería Norte, told me that his father—the late Héctor Yanover, the bookshop’s founder and another former director of the library—often received offers of first editions and manuscripts, stolen from the library of which he was the director.
Trafficking in cultural property, including rare books and manuscripts, is a six-billion-dollar-a-year industry, second only to arms and drugs, according to estimates often cited in international conferences.
That’s a particular problem with English people: they seem to think that everyone in Ireland is a writer
Writing Workshops LA – which was founded by our own Edan Lepucki – is hosting “The Conference” on June 28 of this year, and the day-long event will consist of “educational and thoughtful panel discussions as well as smaller, in-depth presentations and workshops aimed at informing and inspiring every attendee.” Presenters will include award-winning literary agents, editors, and writers including Joanna Rakoff, Adam Wilson, David L. Ulin, Counterpoint’s Dan Smetanka, and Daniel Gumbiner of McSweeney’s. Don’t miss your chance to sign up for the early bird special before April 15th – the first 40 attendees will also get an invitation to a literary pub quiz event the night before.
Clive James gets choked up while reading Keith Douglas’s “Canoe.”