The new David Mitchell novel, The Bone Clocks, ends in rural Ireland, which explains why Kathryn Schulz chose to interview Mitchell on a walk through the Irish countryside. At Vulture, she talks with Mitchell about supercontinents, writing in childhood and the global scope of his work. You could also read the story Mitchell recently wrote on Twitter.
If you enjoy showing the world how much you like to read, you’re in luck: The Paris Review and the LRB are asking people to submit photos of themselves reading either magazine as part of their new contest. All you have to do is post the image on Twitter, Facebook or Instagram with the hashtag #ReadEverywhere, and they’ll pick out the top images. The grand prize is one vintage issue of The Paris Review from every decade it’s been around, along with an artwork by Peter Campbell and a vintage LRB cover print.
Sheila Heti: What do you enjoy reading on Twitter?
Christian Lorentzen: Because I follow so many accounts I think of it as watching a stream of garbage flow in order to see what colour the trash is today.
David Mitchell (author of Cloud Atlas) is tweeting a short story all this week - line by line. Fittingly, the narrator is a teenage boy high on Valium.
What Would Twitter Do?
In this new ten-part series, ten of my favorite people on Twitter talk about what they do on Twitter and why—their Twitter philosophies, their do’s and don’ts, and what they make of the medium in general. First up: kimmy @arealliveghost whose Twitter feed is unique and moving and poetic and wonderful. One of her most popular tweets (and one of my favorite) is: your body is a ghost factory that takes one lifetime to produce a ghost. Kimmy Walters lives and writes in St. Louis. Her poetry can be found in FRiGG, Plain Wrap’s Quarter, The Chariton Review, and other publications.
Interesting new series from The Believer.
What is creepypasta, and what does it have to do with the future of literature? According to this blog post on the Twitter Fiction Festival, it’s a type of short horror fiction which, because it’s posted exclusively on the Web, occupies a similar place to Twitter fiction in the ranks of new literary genres. If you want to learn more about Twitter fiction, you could read our own Elizabeth Minkel on the nascent art form.
Last week, we discussed how Teju Cole has mastered literary Twitter, and that was before we knew that he tweeted a 4,000-word essay on immigration. “A Piece of the Wall” is composed of 250 tweets written during a seven-hour period and starts with: “I hear the sound of faint bells in the distance. It is like a sound in a dream, or the jingling at the beginning of a Christmas song.”